The Hurt Locker [Blu-ray] (2008)

The making of honest action movies has become so rare that Kathryn Bigelow's magnificent The Hurt Locker was shown mostly in art cinemas rather than multiplexes. That's fine; the picture is a work of art. But it also delivers more kinetic excitement, more breath-bating suspense, more putting-you-right-there in the danger zone than all the brain-dead, visually incoherent wrecking derbies hogging mall screens. Partly it's a matter of subject. The movie focuses on an Explosive Ordnance Disposal team, the guys whose more or less daily job is to disarm the homemade bombs that have accounted for most U.S. casualties in Iraq. But even more, the film's extraordinary tension derives from the precision and intelligence of Bigelow's direction. She gets every sweaty detail and tactical nuance in the close-up confrontation of man and bomb, while keeping us alert to the volatile wraparound reality of an ineluctably foreign environment--hot streets and blank-walled buildings full of onlookers, some merely curious and some hostile, perhaps thumbing a cellphone that could become a trigger. This is exemplary moviemaking. You don't need CGI, just a human eye, and the imagination to realize that, say, the sight of dust and scale popped off a derelict car by an explosion half a block away delivers more shock value than a pixelated fireball.

The setting may be Iraq in 2004, but it could just as well be Thermopylae; The Hurt Locker is no "Iraq War movie." Bigelow and screenwriter Mark Boal--who did time as a journalist embed with an EOD unit--align themselves with neither supporters nor opponents of the U.S. involvement. There's no politics here. War is just the job the characters in the movie do. One in particular, the supremely resourceful staff sergeant played by Jeremy Renner, is addicted to the almost nonstop adrenaline rush and the opportunity to express his esoteric, life-on-the-edge genius. The hurt locker of the title is a box he keeps under his bunk, filled with bomb parts and other signatory memorabilia of "things that could have killed me." That none of it has killed him so far is no real consolation. In this movie, you never know who's going to go and when; even high-profile talent (we won't name names here) is no guarantee. But one thing can be guaranteed, and that is that almost every sequence in the movie becomes a riveting, often fiercely enigmatic set piece. This is Kathryn Bigelow's best film since 1987's Near Dark. It could also be the best film of 2009. --Richard T. Jameson

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9 [Blu-ray] (2009)

Nine small rag dolls, stitched together from burlap and clock workings and lenses, are all that stands in the way of the world being overtaken by the Machines. Actually, as 9 begins, it looks like the Machines have already had their way with Earth: this is one of those post-apocalyptic landscapes without life, hope, or sunlight. Clearly 9 director Shane Acker is willing to make an animated film that doesn't soar with Disney colors or Pixar cheer--in fact, main characters are killed off before the movie's halfway through. Our hero is 9 (voiced by Elijah Wood), so dubbed for the number on his back; after awakening to very confused consciousness, he bumps into other puppet survivors, such as the imperious 1 (Christopher Plummer), the warrior-like 7 (Jennifer Connelly), and the one-eyed comic sidekick 5 (John C. Reilly). They do battle with the Machines in a relentless (and eventually monotonous) series of battles, and the exploding hardware and endless warfare has a tendency to crowd out whatever character development might have been set up in the opening minutes. No question the movie's design is impressive, and the characters have a wonderfully expressive quality at first. But at some point it seems the Machines have taken over the moviemaking here, with tedious results. --Robert Horton

Planet Earth - The Complete BBC Series (2007)

Planet Earth - The Complete BBC Series (2007)

 
With an unprecedented production budget of $25 million, and from the makers of Blue Planet: Seas of Life, comes the epic story of life on Earth. Five years in production, over 2,000 days in the field, using 40 cameramen filming across 200 locations, shot entirely in high definition, this is the ultimate portrait of our planet. A stunning television experience that captures rare action, impossible locations and intimate moments with our planet's best-loved, wildest and most elusive creatures. From the highest mountains to the deepest rivers, this blockbuster series takes you on an unforgettable journey through the daily struggle for survival in Earth's most extreme habitats. Planet Earth takes you to places you have never seen before, to experience sights and sounds you may never experience anywhere else.
 
Planet Earth-The Complete BBC